nailfileS DIE LIKE bold galS.
THE cabinet DIES LIKE A bold fork.
incest, anger, AND incest.
THE swallow thinkS LIKE A moldy bowl.
WHY DOES THE leg tumble?
eat a dick, desire!
lust, hatred, AND desire.
ALL wimminS take DEAD, moldy cabinetS.
NEVER toke A wimmin.
swallowS think LIKE cold ladyS.
DAMN, heat!
eat a dick, desire!
SHARKS walk!
yeasty, SUNNY ladyS blankly slap A DEAD, stoled imprint.
hatred IS A damp bitch.
courage IS A cold tongue.
ladyS think LIKE stolid tokeS.
WHERE IS THE LIVELY WHALE?
THE shower curtain thinkS LIKE A DEAD SHARK.
lust, incest, AND incest.
THE amazon walkS LIKE A moldy shower curtain.
idea IS A OLD shower curtain.
LIVELY, LIVELY legS later toke A yeasty, wet gal.
NEVER fuck A imprint.
ALL wadS drag SUNNY, OLD boxS.
O, idea!
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ReplyDeleteROFL poem generators
ReplyDeleteMy response to Heidegger’s The Origin of the Work of Art
ReplyDeleteAbout Heidegger, I would like to know more about ‘Emergence:’ As I read Heidegger, I see the emergence of truth (beauty?) from the work of art as the inherent quality that conceals and reveals itself, which is beyond usefulness, that reveals itself in poetry, for example, as the unsayable, that which cannot be said, a slippery notion. The poetic reveals itself through words. The other arts have their own language, which also conceals and reveals truth (beauty?) of the work created. 'Emergence' therefore is a process, an unstable relationship that cam be apprehended but not possessed. Emergence occurs because the artist was able, consciously or unconsciously, to create over and beyond the work itself. This makes me think of Bachelard or, to refer to the experimental writers of the packet you distributed in class, to Blake's notion of the 'contraries.' Or Dickinson’s idea of ‘Mutability.”